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'So Far, So Good'
so_far_so_good_img'So Far So Good'

Karen Sharp

Personnel: Karen Sharp (ldr/tnr), Dave Priseman (tpt), Richard Busiakiewicz (pno), John Day (bass), Matt Fishwick (drs)
Category: Quartet/Quintet.
Reference: Mauf06.
Karen Sharp's second release on the 33 label, So far so good, conveys exactly that.   Bolstered by a solid rhythm team and the sterling trumpet musings of Dave Priseman on a few tracks, Karen clearly asserts herself as tenorist, arranger/composer and bandleader of considerable talents.   There is a balanced mix of reasonably well-known standards, along with lesser-known tunes by jazz composers like Hefti, Waller and Dexter Gordon, as well as Ms Sharp's originals.   Dexter's I Want More (an appropriate title considering the rangy Califomian's appetite for additives) is a unique and welcome inclusion for these ears.

While it is understandable that recognisable songs should be included on a jazz release, I found her originals (particularly Mr Gas Man and Small World) noticeably more engaging and distinct than the treatments of standards.   These pieces, while hearkening the influences and stylistic moods of standards, go a long way to bringing out the strengths and uniqueness of the performers.
Karen's centred, even and engaging tone, coupled with a fluid basic technique sits well with her love and stylistic pursuit of the hard bop idiom.   The support offered by hubby John Day's sturdy basswork is welcome indeed, although this listener was left wanting for more solo excursions from him.   Mancunian time merchant, drummer Matt Fishwick, is a bandleader's dream in his exemplary handling of matters ensemble, combined with his flawless stewardship of tempos and feels.   He is no mean soloist either, as he continues to develop a refreshing melodical approach to his percussive breaks.   Rounding out this fine 'Section' are the pointed, rapid fire, boplike torrents elocuted by pianist Richard Busiakiewicz.   His rather sharp melodic articulations are effectively balanced by his unrelenting drive and winning skills as an accompanist and tune merchant (he knows 'em all).

The inclusion of Chuck Chaplin's Smile did not leave me lost and frowned, and its brief reprise at the CD's end brought about a welcome close to the proceedings. A most pleasant and musical 'Chapter Two' of Karen's oeuvre is in evidence here, and we all await the next offering that will undoubtedly promise even more.   Contact: www.33jazz.com

Frank Griffith.

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