| Saxophone quartets have been all the rage ever since The World Saxophone Quartet started in 1976. This phenomenon has spawned many groups, such as Saxtet, which seems to have an unending grasp of styles and versatility, exemplified in looking back to early 20th century saxophone repertoire, to post-1970s inspired funky tenor honks and wails in improvisational cacophony. This versatility impresses although the most memorable contributions come from the pen of tenorist/accordionist Karen Street. Her Broken Promises is the high point, blending the accordion with clarinet and three saxes seamlessly. This minor, French-sounding theme lulls and woos the listener in a fashion unmatched to the many other selections. | |
Spirited treatments of Stevie Wonder's I Wish (arranged by Jamie Anderson) and Richard Exall's Back to Bat, while exciting, demonstrate craft over the more original approach that is desired for this instrumental medium. Other highlights include Luke Annesley's The City Sleeps, a somewhat spare, spacial and comical piece with its own unpredictable profundity. Finally, Ms Street's depiction of Kurt Weill's My Ship happily sails flowingly, by drawing out all the players with their own short readings of the melody, including brief snippets of cadenza-like improvisation before stating the final theme.
There is fine playing all round anchored by the sturdy and melodic baritone of leader Andy Tweed and full-throated and fiery tenor bubblings of Jamie Anderson. Richard Exall's alto and clarinet sing profusely and the lyrical and warm alto voice of Luke Annesley scores throughout. An excellent ensemble, well-rehearsed and clearly making a unique and substantial footprint in this extremely viable genre of reed concoctions. More please.
Frank Griffith. |
'Urban Groove'
